16bit Lossless

Toto – Toto IV (1982) {1994, Sony MasterSound, 24-Karat Gold Disc Remastered}

Toto - Toto IV (1982) {1994, Sony MasterSound, 24-Karat Gold Disc Remastered}

Toto – Toto IV (1982) {1994, Sony MasterSound, 24-Karat Gold Disc Remastered}
EAC Rip | FLAC Image + Cue + Log | Full Scans @300 PNG, Included
Total Size: 325 MB | 3% RAR Recovery
Label: Sony MasterSound | USA | Cat#: CK 64423 | Genre: Pop Rock

It was do or die for Toto on the group’s fourth album, and they rose to the challenge. Largely dispensing with the anonymous studio rock that had characterized their first three releases, the band worked harder on its melodies, made sure its simple lyrics treated romantic subjects, augmented Bobby Kimball’s vocals by having other group members sing, brought in ringers like Timothy B. Schmit, and slowed down the tempo to what came to be known as “power ballad” pace.Read More

Eric Clapton – Slowhand (1977) {1991, MFSL, Remastered}

Eric Clapton - Slowhand (1977) {1991, MFSL, Remastered}

Eric Clapton – Slowhand (1977) {1991, MFSL, Remastered}
EAC Rip | WavPack Image + Cue + Log | Full Scans @300 dpi, JPG, Included
Total Size: 237 MB | 3% RAR Recovery
Label: MFSL UltraDisc II | USA | Cat#: UDCD 553 | Genre: Blues Rock

After the guest-star-drenched No Reason to Cry failed to make much of an impact commercially, Eric Clapton returned to using his own band for Slowhand. The difference is substantial — where No Reason to Cry struggled hard to find the right tone, Slowhand opens with the relaxed, bluesy shuffle of J.J. Cale’s “Cocaine” and sustains it throughout the course of the album.Read More

Eric Clapton – 461 Ocean Boulevard (1974) {1993, MFSL, Remastered}

Eric Clapton - 461 Ocean Boulevard (1974) {1993, MFSL, Remastered}

Eric Clapton – 461 Ocean Boulevard (1974) {1993, MFSL, Remastered}
EAC Rip | APE Image + Cue + Log | Full Scans @300 dpi, JPG, Included
Total Size: 241 MB | 3% RAR Recovery
Label: MFSL UltraDisc II | USA | Cat#: UDCD 594 | Genre: Blues Rock

461 Ocean Boulevard is Eric Clapton’s second studio solo album, arriving after his side project of Derek and the Dominos and a long struggle with heroin addiction. Although there are some new reggae influences, the album doesn’t sound all that different from the rock, pop, blues, country, and R&B amalgam of Eric Clapton.Read More

Roger Waters – Amused To Death (1992) {1994, Sony MasterSound, 24-Karat Gold Disc Remastered}

Roger Waters - Amused To Death (1992) {1994, Sony MasterSound, 24-Karat Gold Disc Remastered}

Roger Waters – Amused To Death (1992) {1994, Sony MasterSound, 24-Karat Gold Disc Remastered}
EAC Rip | FLAC Image + Cue + Log | Full Scans @300 dpi, JPG, Included
Total Size: 396 MB | 3% RAR Recovery
Label: Sony MasterSound | USA | Cat#: CK 64426 | Genre: Progressive Rock

War is Roger Waters’ great muse, the impetus for so much of his work, including the semi-autobiographical 1979 opus The Wall. The Final Cut, his last album with Pink Floyd, functioned as an explicit sequel to The Wall, but 1992’s Amused to Death acts as something of a coda, a work where Waters revisits his obsessions — both musical and lyrical — and ties them together with the masterful touch of a mature artist.Read More

Blind Faith – Blind Faith (1969) {1987, MFSL, Remastered}

Blind Faith - Blind Faith (1969) {1987, MFSL, Remastered}

Blind Faith – Blind Faith (1969) {1987, MFSL, Remastered}
EAC Rip | FLAC Tracks + Cue + Log | Full Scans @400 dpi, JPG, Included
Total Size: 256 MB | 3% RAR Recovery
Label: MFSL UltraDisc | Japan | Cat#: UDCD 507 | Genre: Blues Rock

Blind Faith’s first and last album, more than 30 years old and counting, remains one of the jewels of the Eric Clapton, Steve Winwood, and Ginger Baker catalogs, despite the crash-and-burn history of the band itself, which scarcely lasted six months. As much a follow-up to Traffic’s self-titled second album as it is to Cream’s final output, it merges the soulful blues of the former with the heavy riffing and outsized song lengths of the latter for a very compelling sound unique to this band.Read More

YES – Fragile (1971) {2015, Definitive Edition, Remixed, CD + Blu-ray + Hi-res Audio 24bit}

YES - Fragile (1971) {2015, Definitive Edition, Remixed, CD + Blu-ray + Hi-res Audio 24bit}

YES – Fragile (1971) {2015, Definitive Edition, Remixed, CD + Blu-ray + Hi-res Audio 24bit}
EAC Rip | FLAC Image + Cue + Log | Full Scans @600 dpi, PNG, Included
Blu-ray Audio Content | LPCM 2.0 & LPCM 5.1 > @24bit/96-192kHz | DTS-HD MA 5.1 > @24bit/96kHz
Hi-res Audio | FLAC Tracks 2.0 Stereo @24bit/96-192kHz | FLAC Tracks 5.1 Surround @24bit/96kHz
Total Size: 372 MB (CD) + 35.4 GB (Blu-ray) + 11 GB (HR FLAC Audio) + 233 MB (Scans) | 3% RAR Recovery
Label: Panegyric / Atlantic Recording | EU | Cat#: GYRBD50009 | Genre: Progressive Rock

The 1971 album has been mixed for 5.1 surround sound by Steven Wilson and unlike the recently announced XTC Oranges and Lemons reissue will still offer the choice of CD+Blu-ray audio or CD+DVD-A. Both sets will house new hi-res stereo and surround mixes, a hi-res stereo flat transfer of the original mix, and six additional tracksRead More

Creedence Clearwater Revival – Discography (1968 – 2014)

Creedence Clearwater Revival - Discography (1968 - 2014)

Creedence Clearwater Revival – Discography (1968 – 2014)
EAC Rip | 52xCD | FLAC/APE Tracks & Image + Cue + Log | Full Scans @300/600 dpi, JPG/PNG/TIF, Included
Total Size: 19.5 GB | 3% RAR Recovery
STUDIO ALBUMS | LIVE ALBUM | COMPILATIONS | BOX SET
Label: Various | Genre: Blues Rock

At a time when rock was evolving away from the forces that had made the music possible in the first place, Creedence Clearwater Revival brought things back to their roots with their concise synthesis of rockabilly, swamp pop, R&B, and country. Though the music of CCR was very much a group effort in their tight, punchy arrangements, their vision was very much singer, songwriter, guitarist, and leader John Fogerty’s. Fogerty’s classic compositions for Creedence both evoked enduring images of Americana and reflected burning social issues of the day.Read More

Boston – Third Stage (1986) {1993, MFSL, Remastered}

Boston - Third Stage (1986) {1993, MFSL, Remastered}

Boston – Third Stage (1986) {1993, MFSL, Remastered}
EAC Rip | FLAC Tracks + Cue + Log | Full Scans @600 dpi, JPG, Included
Total Size: 248 MB | 3% RAR Recovery
Label: MFSL UltraDisc II, USA | Cat#: UDCD 582 | Genre: Hard Rock

After rushing their second album Don’t Look Back, Boston took eight years to complete the album Third Stage. The long delay is even more surprising considering that their sound didn’t change at all; even though only songwriter/guitarist Tom Scholz and vocalist Brad Delp remained from the original lineup, they were the ones responsible for Boston’s sound. As such, it is difficult to avoid comparisons with their landmark debut.Read More

Andy Gibb – Discography (1977 – 1991)

Andy Gibb - Discography (1977 - 1991)

Andy Gibb – Discography (1977 – 1991)
EAC Rip | 7xCD | FLAC Tracks/Image + Cue + Log | Full Scans @600 dpi, JPG, Included
Total Size: 2.87 GB | 3% RAR Recovery
STUDIO ALBUMS | COMPILATION
Label: Various | Genre: Pop

Once the Bee Gees experienced a career revival with the Saturday Night Fever soundtrack in 1977, the Gibb brothers’ younger sibling Andy began his own solo career. Following his brothers’ disco style, Andy Gibb’s first three singles (“I Just Want to Be Your Everything,” “(Love Is) Thicker Than Water,” and “Shadow Dancing”) all hit number one. Three more consecutive Top Ten hits followed, cementing his overnight sensation status.Read More

Muse – Discography (1999 – 2015)

Muse - Discography (1999 - 2015)

Muse – Discography (1999 – 2015)
EAC Rip | 12xCD + 5xDVD + Blu-ray | FLAC Image + Cue + Log | Full Scans @300/600 dpi, JPG, Included
Total Size: 58 GB | 3% RAR Recovery
STUDIO ALBUMS | LIVE ALBUMS | COMPILATION
Label: Various | Genre: Alternative Rock

Muse’s fusion of progressive rock, electronica, and Radiohead-influenced experimentation have helped them sell millions of records and top charts worldwide. It’s all crafted by guitarist/vocalist Matthew Bellamy, bassist Chris Wolstenholme, and drummer Dominic Howard, a trio of friends who began playing music together in their hometown of Teignmouth, Devon; they started the first incarnation of the band at the age of 13, changing the name of the group from Gothic Plague to Fixed Penalty to Rocket Baby Dolls as time passed.Read More

Styx – Discography (1972 – 2015)

Styx - Discography (1972 - 2015)

Styx – Discography (1972 – 2015)
EAC Rip | 47xCD | FLAC Tracks & Image + Cue + Log | Full Scans @300/600 dpi, JPG/PNG, Included
Total Size: 18.4 GB | 3% RAR Recovery
STUDIO ALBUMS | LIVE ALBUMS | COMPILATIONS
Label: Various | Genre: Progressive Rock

Although they began as an artsy prog rock band, Styx would eventually transform into the virtual arena rock prototype by the late ’70s and early ’80s, due to a fondness for bombastic rockers and soaring power ballads. The seeds for the band were planted in another Chicago band during the late ’60s, the Tradewinds, which featured brothers Chuck and John Panozzo (who played bass and drums, respectively), as well as acquaintance Dennis DeYoung (vocals, keyboards).Read More

Kurt Cobain – Montage Of Heck: The Home Recordings (2015) {Deluxe Edition, WEB}

Kurt Cobain - Montage Of Heck: The Home Recordings (2015) {Deluxe Edition, WEB}

Kurt Cobain – Montage Of Heck: The Home Recordings (2015) {Deluxe Edition, WEB}
Digital Download | FLAC Tracks | Front Cover
Total Size: 332 MB | 3% RAR Recovery
Label: Universal | Genre: Alternative Rock, Grunge

Montage of Heck: The Home Recordings is the only solo album by Kurt Cobain and soundtrack to the film Kurt Cobain: Montage of Heck, released posthumously on November 13, 2015.Read More

Neil Young – Bluenote Cafe (2015) {WEB}

Neil Young - Bluenote Cafe (2015) {WEB}

Neil Young – Bluenote Cafe (2015) {WEB}
Digital Download | FLAC Tracks | Front Cover
Total Size: 984 MB | 3% RAR Recovery
Label: Reprise | Genre: Folk Rock

Neil Young is famous as a man who is going to do what he wants, and he’s willing to pounce on a moment’s inspiration and run with it if it pleases him. In 1987, Young decided he wanted to set aside rock & roll for a while and play the blues, and that’s just what he did. He recruited his longtime musical partners Crazy Horse (Frank Sampedro on keys, Billy Talbot on bass, and Ralph Molina on drums), added a six-piece horn section (led by Steve Lawrence on tenor sax), and called the new band the Bluenotes, hitting the road with the new act in late 1987.Read More