24bit Lossless

John Mayall With Eric Clapton – Blues Breakers (1966) {2010, Japanese SHM-SACD, Hi-Res SACD Rip}

John Mayall With Eric Clapton - Blues Breakers (1966) {2010, Japanese SHM-SACD, Hi-Res SACD Rip}

John Mayall With Eric Clapton – Blues Breakers (1966) {2010, Japanese SHM-SACD, Hi-Res SACD Rip}
SACD Rip | ISO / DSD / 1bit / 2.8224MHz | FLAC Tracks / 24bit / 88.2kHz
Single Layer SACD | Full Scans Included
Total Size: 1.52 GB (ISO) + 774 MB (FLAC) | 3% RAR Recovery
Label: Universal | Japan | Cat#: UIGY-9043 | Genre: Blues Rock

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Lynyrd Skynyrd – Nuthin’ Fancy (1975) {2013, Remastered, Hi-Res SACD Rip}

Lynyrd Skynyrd - Nuthin' Fancy (1975) {2013, Remastered, Hi-Res SACD Rip}

Lynyrd Skynyrd – Nuthin’ Fancy (1975) {2013, Remastered, Hi-Res SACD Rip}
SACD Rip | ISO / DSD / 1bit / 2.8224MHz | FLAC Tracks / 24bit / 88.2kHz
Hybrid SACD | Full Scans Included
Total Size: 1.50 GB (ISO) + 719 MB (FLAC) | 3% RAR Recovery
Label: Analogue Productions | USA | Cat#: CAPP 2137 SA | Genre: Blues Rock

Second Helping brought Lynyrd Skynyrd mass success and for the follow-up they offered Nuthin’ Fancy. It was a self-deprecating title for a record that may have offered more of the same, at least on the surface, but was still nearly peerless as a Southern rock record. The biggest difference with this record is that the band, through touring, has become heavier and harder, fitting right in with the heavy album rock bands of the mid-’70s.Read More

Kiss – Destroyer (1976) {2010, Japanese SHM-SACD, Hi-Res SACD Rip}

Kiss - Destroyer (1976) {2010, Japanese SHM-SACD, Hi-Res SACD Rip}

Kiss – Destroyer (1976) {2010, Japanese SHM-SACD, Hi-Res SACD Rip}
SACD Rip | ISO / DSD / 1bit / 2.8224MHz | FLAC Tracks / 24bit / 88.2kHz
Single Layer SACD | Full Scans Included
Total Size: 1.37 GB (ISO) + 675 MB (FLAC) | 3% RAR Recovery
Label: Universal | Japan | Cat#: UIGY-9035 | Genre: Hard Rock, Glam Metal

The pressure was on Kiss for their fifth release, and the band knew it. Their breakthrough, Alive!, was going to be hard to top, so instead of trying to recreate a concert setting in the studio, they went the opposite route. Destroyer is one of Kiss’ most experimental studio albums, but also one of their strongest and most interesting. Alice Cooper/Pink Floyd producer Bob Ezrin was on hand, and he strongly encouraged the band to experiment — there’s extensive use of sound effects (the album’s untitled closing track), the appearance of a boy’s choir (“Great Expectations”), and an orchestra-laden, heartfelt ballad (“Beth”). Read More

John Mellencamp – Sad Clowns & Hillbillies (2017) {WEB Hi-Res}

John Mellencamp - Sad Clowns & Hillbillies (2017) {WEB Hi-Res}

John Mellencamp – Sad Clowns & Hillbillies (2017) {WEB Hi-Res}
WEB Download | Hi-Res | FLAC Tracks / 24bit / 96kHz
Total Size: 1.02 GB | 3% RAR Recovery
Label: John Mellencamp PS | Genre: Country

On April 28th, Heartland rocker John Mellencamp will release his 23rd full-length album, Sad Clowns & Hillbillies featuring Carlene Carter, the daughter of June Carter Cash and stepdaughter of Johnny Cash, on Republic Records. Sad Clowns & Hillbillies returns Mellencamp to the musical eclecticism that is, itself, a reflection of his wide-ranging musings on life.Read More

Nancy Bryan – Neon Angel (2000) {Hi-Res SACD Rip}

Nancy Bryan - Neon Angel (2000) {Hi-Res SACD Rip}

Nancy Bryan – Neon Angel (2000) {Hi-Res SACD Rip}
SACD Rip | ISO / DSD / 1bit / 2.8224MHz | FLAC Tracks / 24bit / 88.2kHz
Hybrid SACD | Front & Back Cover Only
Total Size: 2.37 GB (ISO) + 1.04 GB (FLAC) | 3% RAR Recovery
Label: APO Records | USA | Cat#: APO 2013 SA | Genre: Folk, Country, World

The first non-blues artist on Analogue Productions, Los Angeles singer/songwriter Nancy Bryan offers in Neon Angel, her second APO release, social commentary with intense soul. Bryan’s honesty in her approach to song writing has created a stylization that defies category. Neon Angel is a unique and personal body of work. In it, her lyrics are visual and socially relevant, yet intimate, poetic and immediate. Her music ranges from the ethereal to a plaintive earthiness, and at times both expressions are grasped in the same moment.Read More

Myra Taylor – My Night to Dream (2001) {Hi-Res SACD Rip}

Myra Taylor - My Night to Dream (2001) {Hi-Res SACD Rip}

Myra Taylor – My Night to Dream (2001) {Hi-Res SACD Rip}
SACD Rip | ISO / DSD / 1bit / 2.8224MHz | FLAC Tracks / 24bit / 88.2kHz
Hybrid SACD | Front & Back Cover Only
Total Size: 2.12 GB (ISO) + 959 MB (FLAC) | 3% RAR Recovery
Label: APO Records | USA | Cat#: APO 2017 SA | Genre: Vocal Jazz

A veteran jazz singer with solid backing by swinging KC musicians, this is a real treat for old-school swing lovers. Taylor sings uptempo (self-penned Spider and the Fly, as well as Mamma He Treats Your Daughter Mean, Lady Be Good and several more) and slower ballads, including a gorgeous, lush I Don’t Want to Set the World on Fire.Read More

David Honeyboy Edwards – Shake ‘Em On Down (2000) {Hi-Res SACD Rip}

David Honeyboy Edwards - Shake 'Em On Down (2000) {Hi-Res SACD Rip}

David Honeyboy Edwards – Shake ‘Em On Down (2000) {Hi-Res SACD Rip}
SACD Rip | ISO / DSD / 1bit / 2.8224MHz | FLAC Tracks / 24bit / 88.2kHz
Hybrid SACD | Front & Back Covers Only
Total Size: 2.52 GB (ISO) + 1.08 GB (FLAC) | 3% RAR Recovery
Label: APO Records | USA | Cat#: APO 2010 SA | Genre: Blues

This 1999 session finds Honeyboy working his acoustic magic in the company of Madison Slim on harmonica and Jimmy D. Lane, son of the late Jimmy Rogers, on second guitar. Recorded at the Blue Heaven Studios (a converted church) in Salina, Kansas, this is a pretty inspired session with Edwards running through old classics like Charlie Patton’s “High Water Everywhere” Read More

Billie Holiday – 5 SACD Albums (1957-1958) {Remastered & Reissue, Hi-Res SACD Rip}

Billie Holiday - 5 SACD Albums (1957-1958) {Remastered & Reissue, Hi-Res SACD Rip}

Billie Holiday – 5 SACD Albums (1957-1958) {Remastered & Reissue, Hi-Res SACD Rip}
5x SACD Rip | ISO / DSD / 1bit / 2.8224MHz | FLAC Tracks / 24bit / 88.2kHz | 4x Stereo SACD + 1x Multichannel SACD
Hybrid & Single Layer SACD | Scans Included
Total Size: 11.7 GB (ISO) + 4.08 GB (FLAC Stereo) + 2.00 GB (FLAC Mch) | 3% RAR Recovery
Label: Analogue Productions / Sony | USA | Genre: Vocal Jazz

Body And Soul (1957) РSongs for Distingué Lovers (1957) РAll or Nothing At All (1958)
Lady In Satin (1958)

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The Kinks – Everybody’s In Show-Biz (1972) {2003, MFSL Remastered, CD-Layer + Hi-Res SACD Rip}

The Kinks - Everybody's In Show-Biz (1972) {2003, MFSL Remastered, CD-Layer + Hi-Res SACD Rip}

The Kinks – Everybody’s In Show-Biz (1972) {2003, MFSL Remastered, CD-Layer + Hi-Res SACD Rip}
EAC Rip | FLAC Image + Cue + Log
SACD Rip | ISO / DSD / 1bit / 2.8224MHz | FLAC Tracks / 24bit / 88.2kHz
Hybrid SACD | Full Scans Included
Total Size: 557 MB (CD-Layer) + 3.06 GB (SACD ISO) + 1.46 GB (SACD FLAC) | 3% RAR Recovery
Label: MFSL UltraDisc UHR | USA | Cat#: UDSACD 2010 | Genre: Classic Rock

Everybody’s in Show-Biz is a double album with one record devoted to stories from the road and another devoted to songs from the road. It could be labeled “the drunkest album ever made,” without a trace of hyperbole, since this is a charmingly loose, rowdy, silly record. It comes through strongest on the live record, of course, as it’s filled with Ray Davies’ notoriously campy vaudevellian routine (dig the impromptu “Banana Boat Song” that leads into “Skin & Bone,” or the rollicking “Baby Face”).Read More

The Kinks – Low Budget (1976) {2003, MFSL Remastered, CD-Layer + Hi-Res SACD Rip}

The Kinks - Low Budget (1976) {2003, MFSL Remastered, CD-Layer + Hi-Res SACD Rip}

The Kinks – Low Budget (1976) {2003, MFSL Remastered, CD-Layer + Hi-Res SACD Rip}
EAC Rip | FLAC Image + Cue + Log
SACD Rip | ISO / DSD / 1bit / 2.8224MHz | FLAC Tracks / 24bit / 88.2kHz
Hybrid SACD | Full Scans Included
Total Size: 407 MB (CD-Layer) + 2.40 GB (SACD ISO) + 1.16 GB (SACD FLAC) | 3% RAR Recovery
Label: MFSL UltraDisc UHR | USA | Cat#: UDSACD 2008 | Genre: Classic Rock

Low Budget doesn’t have a narrative like Preservation or Soap Opera, but Ray Davies cleverly designed the album as a sly satire of the recession and oil crisis that gripped America in the late ’70s — thereby satisfying his need to be a wry social commentator while giving American audiences a hook to identify with. It was a clever move that worked; not only did Low Budget become their highest-charting American album (not counting the 1966 Greatest Hits compilation), but it was also a fine set of arena rock, one of the better mainstream hard rock albums of its time.Read More