Miles Davis – Porgy And Bess (1959) [2019, MFSL Remastered, CD-Layer + Hi-Res SACD Rip]
SACD-ISO / DSD / 1bit / 2.8224MHz
DSF Tracks / DSD / 1bit / 2.8224MHz
FLAC Tracks / 24bit / 88.2kHz
CD-Layer / EAC Rip / FLAC Tracks + Cue + Log
Full Scans Included
Total Size: 291 MB (CD-Layer) + 1.14 GB (DSF) + 973 MB (FLAC) + 2.06 GB (ISO)
Label: Mobile Fidelity Sound Lab | US | Cat#: UDSACD 2200 | Genre: Big Band, Modal
Update: CD-Layer & DSF Tracks have been added
Tomes are available annotating the importance of this recording. The musical and social impact of Miles Davis, his collaborative efforts with Gil Evans, and in particular their reinvention of George Gershwin’s Porgy and Bess are indeed profound. However, the most efficient method of extricating the rhetoric and opining is to experience the recording. Few other musical teams would have had the ability to remain true to the undiluted spirit and multifaceted nuance of this epic work. However, no other musical teams were Miles Davis and Gil Evans. It was Evans’ intimate knowledge of the composition as well as the performer that allowed him to so definitively capture the essence of both. The four dates needed to complete work on Porgy and Bess include contributions from several members of his most recent musical aggregate: Julian “Cannonball” Adderley (alto sax), Paul Chambers (bass), and Jimmy Cobb (drums). Although the focus and emphasis is squarely on Davis throughout, the contributions of the quartet on “Prayer (Oh Doctor Jesus),” “I Loves You, Porgy,” and “There’s a Boat That’s Leaving Soon for New York” are immeasurable. They provide a delicate balance in style and, under the direction of Evans, incorporate much of the same energy and intonation here as they did to their post-bop recordings. There is infinitely more happening on Porgy and Bess, however, with much of the evidence existing in the subtle significance of the hauntingly lyrical passages from Danny Banks’ (alto flute) solos, which commence on “Fishermen, Strawberry and Devil Crab.” Or the emotive bass and tuba duet that runs throughout “Buzzard Song.” The impeccable digital remastering and subsequent reissue — which likewise applies to the Miles Davis & Gil Evans: The Complete Columbia Studio Recordings box set — only magnifies the refulgence of Porgy and Bess. Likewise, two previously unissued performances have been appended to the original baker’s dozen. No observation or collection of American jazz can be deemed complete without this recording. ― Allmusic
Tracklist
01. The Buzzard Song – 04:12
02. Bess, You Is My Woman Now – 05:15
03. Gone – 03:41
04. Gone, Gone, Gone – 02:06
05. Summertime – 03:22
06. Oh Bess, Oh Where’s My Bess – 04:32
07. Prayer (Oh Doctor Jesus) – 04:42
08. Fishermen, Strawberry and Devil Crab – 04:09
09. My Man’s Gone Now – 06:22
10. It Ain’t Necessarily So – 04:27
11. Here Come de Honey Man – 01:25
12. I Loves You, Porgy – 03:41
13. There’s a Boat That’s Leaving Soon for New York – 03:26
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CD LOGS
EAC | CUETOOLS
DYNAMIC RANGE
CD-LAYER | SACD-DSF | SACD-ISO | SACD-FLAC
INFO
DISCOGS
DOWNLOAD FROM
CD-Layer
LMA_MiDa.1959.PAB.2019.MFSL_SACD-CD-LAYER.rar
Hi-Res SACD
LMA_MiDa.1959.PAB.2019.MFSL_SACD-DSF.rar
LMA_MiDa.1959.PAB.2019.MFSL_SACD-FLAC.rar
LMA_MiDa.1959.PAB.2019.MFSL_SACD-ISO.rar
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