Santana – Santana III (1971) [2016, MFSL Remastered, CD-Layer + Hi-Res SACD Rip]

Santana – Santana III (1971) [2016, MFSL Remastered, CD-Layer + Hi-Res SACD Rip]
SACD-ISO / DSD / 1bit / 2.8224MHz
DSF Tracks / DSD / 1bit / 2.8224MHz
FLAC Tracks / 24bit / 88.2kHz
CD-Layer / EAC Rip / FLAC Tracks + Cue + Log
Full Scans Included
Total Size: 1.71 GB (ISO) + 1.68 GB (DSF) + 884 MB (FLAC) + 295 MB (CD-Layer) | 3% RAR Recovery
Label: Mobile Fidelity Sound Lab | US | Cat#: UDSACD 2158 | Genre: Psychedelic Rock, Latin Rock
Update: CD-Layer & DSF Tracks have been added

Santana III is an album that undeservingly stands in the shadows behind the towering legend that is the band’s second album, Abraxas. This was also the album that brought guitarist Neal Schon — who was 17 years old — into the original core lineup of Santana. Percussionist Thomas “Coke” Escovedo was brought in to replace (temporarily) José Chepitó Areas, who had suffered a brain aneurysm, yet who recovered quickly and rejoined the band. The rest were Carlos, organist Gregg Rolie, drummer Michael Schrieve, bassist David Brown, and conguero Michael Carabello. “Batuka” is the powerful first evidence of something being very different. The band was rawer, darker, and more powerful with twin leads and Schon’s harder, edgier rock & roll sound paired with Carlos’ blend of ecstatic high notes and soulful fills. It cooks — funky, mean, and tough. “Batuka” immediately transforms itself into “No One to Depend On,” by Escovedo, Carabello, and Rolie. The middle section is highlighted by frantic handclaps, call-and-response lines between Schon and Rolie, and Carlos joining the fray until the entire track explodes into a frenzied finale. And what’s most remarkable is that the set just keeps on cooking, from the subtle slow burn of “Taboo” to the percussive jam workout that is “Toussaint l’Overture,” a live staple in the band’s set list recorded here for the first time (and featuring some cooking Rolie organ work at its beginning). “Everybody’s Everything” is here, as is “Guajira” and “Jungle Strut” — tunes that are still part of Santana’s live show. With acoustic guitars, gorgeous hand percussion, and Santana’s fragile lead vocal, “Everything’s Coming Our Way” is the only “feel good” track here, but it’s a fitting way to begin winding the album down with its Schon and Santana guitar breaks. The album ends with a completely transformed reading of Tito Puente’s “Para los Rumberos,” complete with horns and frantic, almost insanely fast hand drumming and cowbell playing. It’s an album that has aged extremely well due to its spare production (by Carlos and the band) and its live sound. This is essential Santana, a record that deserves to be reconsidered in light of its lasting abundance and vision. ― Allmusic

Tracklist:
01. Batuka – 03:34
02. No One To Depend On – 05:31
03. Taboo – 05:35
04. Toussaint L’Overture – 05:59
05. Everybody’s Everything – 03:33
06. Guajira – 05:45
07. Jungle Strut – 05:22
08. Everything’s Coming Our Way – 03:16
09. Para Los Rumberos – 02:46

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CD LOGS
EAC | CUETOOLS

DYNAMIC RANGE
CD-LAYER | SACD-ISO | SACD-DSF | SACD-FLAC

INFO
DISCOGS

DOWNLOAD FROM
CD-Layer
LMA_SNTN.1971.SIII.2016.MFSL_SACD-CD-LAYER.rar
Hi-Res SACD
LMA_SNTN.1971.SIII.2016.MFSL_SACD-DSF.rar
LMA_SNTN.1971.SIII.2016.MFSL_SACD-FLAC.rar
LMA_SNTN.1971.SIII.2016.MFSL_SACD-ISO.rar
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