Special Section: Audiophile Discs

Miles Davis – In A Silent Way (1969) [2012, MFSL Remastered, CD-Layer + Hi-Res SACD Rip]
SACD-ISO / DSD / 1bit / 2.8224MHz
DSF Tracks / DSD / 1bit / 2.8224MHz
FLAC Tracks / 24bit / 88.2kHz
CD-Layer / EAC Rip / FLAC Image + Cue + Log
Full Scans Included
Total Size: 1.58 GB (ISO) + 1.56 GB (DSF) + 800 MB (FLAC) + 261 MB (CD-Layer) | 3% RAR Recovery
Label: Mobile Fidelity Sound Lab | US | Cat#: UDSACD 2088 | Genre: Fusion, Jazz
Update: CD-Layer & DSF Tracks have been added

Listening to Miles Davis’ originally released version of In a Silent Way in light of the complete sessions released by Sony in 2001 (Columbia Legacy 65362) reveals just how strategic and dramatic a studio construction it was. If one listens to Joe Zawinul’s original version of “In a Silent Way,” it comes across as almost a folk song with a very pronounced melody. The version Miles Davis and Teo Macero assembled from the recording session in July of 1968 is anything but. There is no melody, not even a melodic frame. Continue reading “Miles Davis – In A Silent Way (1969) [2012, MFSL Remastered, CD-Layer + Hi-Res SACD Rip]”

Miles Davis – Nefertiti (1968) [2015, MFSL Remastered, CD-Layer + Hi-Res SACD Rip]
SACD-ISO / DSD / 1bit / 2.8224MHz
DSF Tracks / DSD / 1bit / 2.8224MHz
FLAC Tracks / 24bit / 88.2kHz
CD-Layer / EAC Rip / FLAC Tracks + Cue + Log
Full Scans Included
Total Size: 1.63 GB (ISO) + 1.60 GB (DSF) + 804 MB (FLAC) + 247 MB (CD-Layer) | 3% RAR Recovery
Label: Mobile Fidelity Sound Lab | US | Cat#: UDSACD 2146 | Genre: Post-Bop, Hard Bop
Update: CD-Layer & DSF Tracks have been added

Nefertiti, the fourth album by Miles Davis’ second classic quintet, continues the forward motion of Sorcerer, as the group settles into a low-key, exploratory groove, offering music with recognizable themes — but themes that were deliberately dissonant, slightly unsettling even as they burrowed their way into the consciousness. In a sense, this is mood music, since, like on much of Sorcerer, the individual parts mesh in unpredictable ways, creating evocative, floating soundscapes. Continue reading “Miles Davis – Nefertiti (1968) [2015, MFSL Remastered, CD-Layer + Hi-Res SACD Rip]”

Miles Davis – Filles De Kilimanjaro (1968) [2015, MFSL Remastered, CD-Layer + Hi-Res SACD Rip]
SACD-ISO / DSD / 1bit / 2.8224MHz
DSF Tracks / DSD / 1bit / 2.8224MHz
FLAC Tracks / 24bit / 88.2kHz
CD-Layer / EAC Rip / FLAC Tracks + Cue + Log
Full Scans Included
Total Size: 2.34 GB (ISO) + 2.30 GB (DSF) + 1.15 GB (FLAC) + 355 MB (CD-Layer) | 3% RAR Recovery
Label: Mobile Fidelity Sound Lab | US | Cat#: UDSACD 2148 | Genre: Post-Bop, Jazz
Update: CD-Layer & DSF Tracks have been added

Since it’s billed as “Directions in Music by Miles Davis,” it should come as little surprise that Filles de Kilimanjaro is the beginning of a new phase for Miles, the place that he begins to dive headfirst into jazz-rock fusion. It also happens to be the swan song for his second classic quintet, arguably the finest collective of musicians he ever worked with, and what makes this album so fascinating is that it’s possible to hear the breaking point Continue reading “Miles Davis – Filles De Kilimanjaro (1968) [2015, MFSL Remastered, CD-Layer + Hi-Res SACD Rip]”

Miles Davis – Sorcerer (1967) [2015, MFSL Remastered, CD-Layer + Hi-Res SACD Rip]
SACD-ISO / DSD / 1bit / 2.8224MHz
DSF Tracks / DSD / 1bit / 2.8224MHz
FLAC Tracks / 24bit / 88.2kHz
CD-Layer / EAC Rip / FLAC Tracks + Cue + Log
Full Scans Included
Total Size: 1.67 GB (ISO) + 1.65 GB (DSF) + 820 MB (FLAC) + 247 MB (CD-Layer) | 3% RAR Recovery
Label: Mobile Fidelity Sound Lab | US | Cat#: UDSACD 2145 | Genre: Modal, Post-Bop, Jazz
Update: CD-Layer & DSF Tracks have been added

Sorcerer, the third album by the second Miles Davis Quintet, is in a sense a transitional album, a quiet, subdued affair that rarely blows hot, choosing to explore cerebral tonal colorings. Even when the tempo picks up, as it does on the title track, there’s little of the dense, manic energy on Miles Smiles — this is about subtle shadings, even when the compositions are as memorable as Tony Williams’ “Pee Wee” or Herbie Hancock’s “Sorcerer.” Continue reading “Miles Davis – Sorcerer (1967) [2015, MFSL Remastered, CD-Layer + Hi-Res SACD Rip]”