Tag: Miles Davis

Miles Davis – In A Silent Way (1969) [2012, MFSL Remastered, CD-Layer + Hi-Res SACD Rip]
SACD-ISO / DSD / 1bit / 2.8224MHz
DSF Tracks / DSD / 1bit / 2.8224MHz
FLAC Tracks / 24bit / 88.2kHz
CD-Layer / EAC Rip / FLAC Image + Cue + Log
Full Scans Included
Total Size: 1.58 GB (ISO) + 1.56 GB (DSF) + 800 MB (FLAC) + 261 MB (CD-Layer) | 3% RAR Recovery
Label: Mobile Fidelity Sound Lab | US | Cat#: UDSACD 2088 | Genre: Fusion, Jazz
Update: CD-Layer & DSF Tracks have been added

Listening to Miles Davis’ originally released version of In a Silent Way in light of the complete sessions released by Sony in 2001 (Columbia Legacy 65362) reveals just how strategic and dramatic a studio construction it was. If one listens to Joe Zawinul’s original version of “In a Silent Way,” it comes across as almost a folk song with a very pronounced melody. The version Miles Davis and Teo Macero assembled from the recording session in July of 1968 is anything but. There is no melody, not even a melodic frame. Continue reading “Miles Davis – In A Silent Way (1969) [2012, MFSL Remastered, CD-Layer + Hi-Res SACD Rip]”

Miles Davis – Nefertiti (1968) [2015, MFSL Remastered, CD-Layer + Hi-Res SACD Rip]
SACD-ISO / DSD / 1bit / 2.8224MHz
DSF Tracks / DSD / 1bit / 2.8224MHz
FLAC Tracks / 24bit / 88.2kHz
CD-Layer / EAC Rip / FLAC Tracks + Cue + Log
Full Scans Included
Total Size: 1.63 GB (ISO) + 1.60 GB (DSF) + 804 MB (FLAC) + 247 MB (CD-Layer) | 3% RAR Recovery
Label: Mobile Fidelity Sound Lab | US | Cat#: UDSACD 2146 | Genre: Post-Bop, Hard Bop
Update: CD-Layer & DSF Tracks have been added

Nefertiti, the fourth album by Miles Davis’ second classic quintet, continues the forward motion of Sorcerer, as the group settles into a low-key, exploratory groove, offering music with recognizable themes — but themes that were deliberately dissonant, slightly unsettling even as they burrowed their way into the consciousness. In a sense, this is mood music, since, like on much of Sorcerer, the individual parts mesh in unpredictable ways, creating evocative, floating soundscapes. Continue reading “Miles Davis – Nefertiti (1968) [2015, MFSL Remastered, CD-Layer + Hi-Res SACD Rip]”

Miles Davis – Filles De Kilimanjaro (1968) [2015, MFSL Remastered, CD-Layer + Hi-Res SACD Rip]
SACD-ISO / DSD / 1bit / 2.8224MHz
DSF Tracks / DSD / 1bit / 2.8224MHz
FLAC Tracks / 24bit / 88.2kHz
CD-Layer / EAC Rip / FLAC Tracks + Cue + Log
Full Scans Included
Total Size: 2.34 GB (ISO) + 2.30 GB (DSF) + 1.15 GB (FLAC) + 355 MB (CD-Layer) | 3% RAR Recovery
Label: Mobile Fidelity Sound Lab | US | Cat#: UDSACD 2148 | Genre: Post-Bop, Jazz
Update: CD-Layer & DSF Tracks have been added

Since it’s billed as “Directions in Music by Miles Davis,” it should come as little surprise that Filles de Kilimanjaro is the beginning of a new phase for Miles, the place that he begins to dive headfirst into jazz-rock fusion. It also happens to be the swan song for his second classic quintet, arguably the finest collective of musicians he ever worked with, and what makes this album so fascinating is that it’s possible to hear the breaking point Continue reading “Miles Davis – Filles De Kilimanjaro (1968) [2015, MFSL Remastered, CD-Layer + Hi-Res SACD Rip]”

Miles Davis – Sorcerer (1967) [2015, MFSL Remastered, CD-Layer + Hi-Res SACD Rip]
SACD-ISO / DSD / 1bit / 2.8224MHz
DSF Tracks / DSD / 1bit / 2.8224MHz
FLAC Tracks / 24bit / 88.2kHz
CD-Layer / EAC Rip / FLAC Tracks + Cue + Log
Full Scans Included
Total Size: 1.67 GB (ISO) + 1.65 GB (DSF) + 820 MB (FLAC) + 247 MB (CD-Layer) | 3% RAR Recovery
Label: Mobile Fidelity Sound Lab | US | Cat#: UDSACD 2145 | Genre: Modal, Post-Bop, Jazz
Update: CD-Layer & DSF Tracks have been added

Sorcerer, the third album by the second Miles Davis Quintet, is in a sense a transitional album, a quiet, subdued affair that rarely blows hot, choosing to explore cerebral tonal colorings. Even when the tempo picks up, as it does on the title track, there’s little of the dense, manic energy on Miles Smiles — this is about subtle shadings, even when the compositions are as memorable as Tony Williams’ “Pee Wee” or Herbie Hancock’s “Sorcerer.” Continue reading “Miles Davis – Sorcerer (1967) [2015, MFSL Remastered, CD-Layer + Hi-Res SACD Rip]”

Miles Davis – ‘Four’ & More – Recorded Live In Concert (1966)
[2013, MFSL Remastered, CD-Layer + Hi-Res SACD Rip]
SACD-ISO / DSD / 1bit / 2.8224MHz
DSF Tracks / DSD / 1bit / 2.8224MHz
FLAC Tracks / 24bit / 88.2kHz
CD-Layer / EAC Rip / FLAC Tracks + Cue + Log
Full Scans Included
Total Size: 2.24 GB (ISO) + 2.21 GB (DSF) + 1.08 GB (FLAC) + 348 MB (CD-Layer) | 3% RAR Recovery
Label: Mobile Fidelity Sound Lab | US | Cat#: UDSACD 2087 | Genre: Hard Bop, Modal
Update: CD-Layer & DSF Tracks have been added

In an odd bit of programming, Columbia placed the ballads from Miles Davis’ February 12, 1964, concert on My Funny Valentine and the uptempo romps on this LP. Davis, probably a bit bored by some of his repertoire and energized by the teenage Tony Williams’ drumming, performed many of his standards at an increasingly faster pace as time went on. These versions of “So What,” “Walkin’,” “Four,” “Joshua,” “Seven Steps to Heaven,” and even “There Is No Greater Love” are remarkably rapid, with the themes quickly thrown out before Davis Continue reading “Miles Davis – ‘Four’ & More – Recorded Live In Concert (1966) [2013, MFSL Remastered, CD-Layer + Hi-Res SACD Rip]”

Miles Davis – My Funny Valentine: Miles Davis In Concert (1965)
[2014, MFSL Remastered, CD-Layer + Hi-Res SACD Rip]
SACD-ISO / DSD / 1bit / 2.8224MHz
DSF Tracks / DSD / 1bit / 2.8224MHz
FLAC Tracks / 24bit / 88.2kHz
CD-Layer / EAC Rip / FLAC Tracks + Cue + Log
Full Scans Included
Total Size: 2.64 GB (ISO) + 2.60 GB (DSF) + 1.22 GB (FLAC) + 377 MB (CD-Layer) | 3% RAR Recovery
Label: Mobile Fidelity Sound Lab | US | Cat#: UDSACD 2141 | Genre: Jazz, Modal
Update: CD-Layer & DSF Tracks have been added

Miles Davis’ concert of February 12, 1964, was divided into two LPs, with all of the ballads put on My Funny Valentine. These five lengthy tracks (specifically, “All of You,” “Stella by Starlight,” “All Blues,” “I Thought About You,” and the title cut) put the emphasis on the lyricism of Davis, along with some strong statements from tenor saxophonist George Coleman and freer moments from the young rhythm section of pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams. Continue reading “Miles Davis – My Funny Valentine: Miles Davis In Concert (1965) [2014, MFSL Remastered, CD-Layer + Hi-Res SACD Rip]”

Miles Davis – E.S.P. (1965) [2016, MFSL Remastered, CD-Layer + Hi-Res SACD Rip]
SACD-ISO / DSD / 1bit / 2.8224MHz
DSF Tracks / DSD / 1bit / 2.8224MHz
FLAC Tracks / 24bit / 88.2kHz
CD-Layer / EAC Rip / FLAC Tracks + Cue + Log
Full Scans Included
Total Size: 2.01 GB (ISO) + 1.96 GB (DSF) + 971 MB (FLAC) + 278 MB (CD-Layer) | 3% RAR Recovery
Label: Mobile Fidelity Sound Lab | US | Cat#: UDSACD 2170 | Genre: Jazz, Hard Bop

ESP marks the beginning of a revitalization for Miles Davis, as his second classic quintet — saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams — gels, establishing what would become their signature adventurous hard bop. Continue reading “Miles Davis – E.S.P. (1965) [2016, MFSL Remastered, CD-Layer + Hi-Res SACD Rip]”

Miles Davis – Sketches Of Spain (1960) [2012, MFSL Remastered, CD-Layer + Hi-Res SACD Rip]
SACD-ISO / DSD / 1bit / 2.8224MHz
DSF Tracks / DSD / 1bit / 2.8224MHz
FLAC Tracks / 24bit / 88.2kHz
CD-Layer / EAC Rip / FLAC Image + Cue + Log
Full Scans Included
Total Size: 1.74 GB (ISO) + 1.71 GB (DSF) + 878 MB (FLAC) + 304 MB (CD-Layer) | 3% RAR Recovery
Label: Mobile Fidelity Sound Lab | US | Cat#: UDSACD 2086 | Genre: Jazz
Update: CD-Layer & DSF Tracks have been added

Along with Kind of Blue, In a Silent Way, and Round About Midnight, Sketches of Spain is one of Miles Davis’ most enduring and innovative achievements. Recorded between November 1959 and March 1960 — after Coltrane and Cannonball Adderley had left the band — Davis teamed with Canadian arranger Gil Evans for the third time. Continue reading “Miles Davis – Sketches Of Spain (1960) [2012, MFSL Remastered, CD-Layer + Hi-Res SACD Rip]”

Miles Davis – Kind Of Blue (1959) [2015, MFSL Remastered, CD-Layer + Hi-Res SACD Rip]
SACD-ISO / DSD / 1bit / 2.8224MHz
DSF Tracks / DSD / 1bit / 2.8224MHz
FLAC Tracks / 24bit / 88.2kHz
CD-Layer / EAC Rip / FLAC Tracks + Cue + Log
Full Scans Included
Total Size: 1.92 GB (ISO) + 1.89 GB (DSF) + 891 MB (FLAC) + 274 MB (CD-Layer) | 3% RAR Recovery
Label: Mobile Fidelity Sound Lab | US | Cat#: UDSACD 2085 | Genre: Hard Bop, Post Bop
Update: CD-Layer & DSF Tracks have been added

Kind of Blue isn’t merely an artistic highlight for Miles Davis, it’s an album that towers above its peers, a record generally considered as the definitive jazz album. To be reductive, it’s the Citizen Kane of jazz — an accepted work of greatness that’s innovative and entertaining. That may not mean it’s the greatest jazz album ever made, but it certainly is a universally acknowledged standard of excellence. Continue reading “Miles Davis – Kind Of Blue (1959) [2015, MFSL Remastered, CD-Layer + Hi-Res SACD Rip]”

Miles Davis – Milestones (1958) [2012, MFSL Remastered, CD-Layer + Hi-Res SACD Rip]
SACD-ISO / DSD / 1bit / 2.8224MHz
DSF Tracks / DSD / 1bit / 2.8224MHz
FLAC Tracks / 24bit / 88.2kHz
CD-Layer / EAC Rip / FLAC Image + Cue + Log
Full Scans Included
Total Size: 2.00 GB (ISO) + 1.97 GB (DSF) + 710 MB (FLAC) + 220 MB (CD-Layer) | 3% RAR Recovery
Label: Mobile Fidelity Sound Lab | US | Cat#: UDSACD 2084 | Genre: Hard Bop

What is immedately noticeable upon listening to Miles Davis’ classic first — and only — album with his original sextet is how deep the blues presence is on it. Though it’s true that the album’s title cut is rightfully credited with introducing modalism into jazz, and defining Davis’ music for years to come, it is the sole selection of its kind on the record. Continue reading “Miles Davis – Milestones (1958) [2012, MFSL Remastered, CD-Layer + Hi-Res SACD Rip]”

Miles Davis – ‘Round About Midnight (1957) [2012, MFSL Remastered, CD-Layer + Hi-Res SACD Rip]
SACD-ISO / DSD / 1bit / 2.8224MHz
DSF Tracks / DSD / 1bit / 2.8224MHz
FLAC Tracks / 24bit / 88.2kHz
CD-Layer / EAC Rip / FLAC Image + Cue + Log
Full Scans Included
Total Size: 1.64 GB (ISO) + 1.61 GB (DSF) + 732 MB (FLAC) + 253 MB (CD-Layer) | 3% RAR Recovery
Label: Mobile Fidelity Sound Lab | US | Cat#: UDSACD 2083 | Genre: Hard Bop, Jazz
Update: CD-Layer & DSF Tracks have been added

Given that ‘Round About Midnight was Miles Davis’ debut Columbia recording, it was both a beginning and an ending. Certainly the beginning of his recording career with the label that issued most if not all of his important recordings; and the recording debut of an exciting new band that had within its ranks Philly Joe Jones, Paul Chambers, pianist Red Garland, and an all but unknown tenor player named John Coltrane. Continue reading “Miles Davis – ‘Round About Midnight (1957) [2012, MFSL Remastered, CD-Layer + Hi-Res SACD Rip]”

Miles Davis Sextet – Someday My Prince Will Come (1961) [1983, MFSL Remastered, CD-Quality + Hi-Res Vinyl Rip]
Vinyl Rip | Hi-Res / FLAC Tracks / 24bit / 96kHz | CD-Quality / FLAC Tracks / 16bit / 44.1kHz
Full Scans Included
Total Size: 941 MB (Hi-Res) + 268 MB (CD-Quality) | 3% RAR Recovery
Label: Mobile Fidelity Sound Lab | Pressed in Japan | Cat#: MFSL 1-177 | Genre: Hard Bop, Modal
Half-Speed Mastered

After both John Coltrane and Cannonball Adderley left Miles Davis’ quintet, he was caught in the web of seeking suitable replacements. It was a period of trial and error for him that nonetheless yielded some legendary recordings (Sketches of Spain, for one). One of those is Someday My Prince Will Come. The lineup is Davis, pianist Wynton Kelly, bassist Paul Chambers, and alternating drummers Jimmy Cobb and Philly Jo Jones. Continue reading “Miles Davis Sextet – Someday My Prince Will Come (1961) [1983, MFSL Remastered, CD-Quality + Hi-Res Vinyl Rip]”