Traffic Archives - Lossless Music Archives

Traffic – The Low Spark Of High Heeled Boys (1971) [1994 MFSL Remaster • CD-Quality + Hi-Res Vinyl Rip]

Traffic - The Low Spark Of High Heeled Boys (1971) [1994 MFSL Remaster • CD-Quality + Hi-Res Vinyl Rip]

Traffic – The Low Spark Of High Heeled Boys (1971)
[1994 MFSL Remaster • CD-Quality + Hi-Res Vinyl Rip]
Vinyl Rip | Hi-Res / FLAC Tracks / 24bit / 96kHz | CD-Quality / FLAC Tracks / 16bit / 44.1kHz
Full Scans Included
1.06 GB | 3% RAR Recovery
Label: Mobile Fidelity Sound Lab | Cat#: MFSL 1-209
Update: Missing files have been added

The Low Spark of High Heeled Boys marked the commercial and artistic apex of the second coming of Traffic, which had commenced in 1970 with John Barleycorn Must Die. The trio who made that album were augmented by three others (Ric Grech, Jim Gordon, and “Reebop” Kwaku Baah) in the interim, though apparently the Low Spark sessions featured varying combinations of these musicians, plus some guests. Continue reading “Traffic – The Low Spark Of High Heeled Boys (1971) [1994 MFSL Remaster • CD-Quality + Hi-Res Vinyl Rip]”

Traffic – Mr. Fantasy (1967) & Traffic (1968) [MFSL Remaster • 24-karat Gold Disc]

Traffic - Mr. Fantasy (1967) & Traffic (1968) [MFSL Remaster • 24-karat Gold Disc]

Traffic – Mr. Fantasy (1967) & Traffic (1968)
[MFSL Remaster • 24-karat Gold Disc]
EAC Rip | 2 x CD | FLAC Tracks + Cue + Log | Full Scans Included
540 MB | 3% RAR Recovery
Label: Mobile Fidelity Sound Lab | Cat#: UDCD 572 / UDCD 629
Update: Re-uploaded By Request
Continue reading “Traffic – Mr. Fantasy (1967) & Traffic (1968) [MFSL Remaster • 24-karat Gold Disc]”

Traffic – Discography (1967 – 2005)

Traffic - Discography (1967 - 2005)

Though it ultimately must be considered an interim vehicle for singer/songwriter/keyboardist/guitarist Steve Winwood, Traffic was a successful group that followed its own individual course through the rock music scene of the late ’60s and early ’70s. Beginning in the psychedelic year of 1967 and influenced by the Beatles, the band turned out eclectic pop singles in its native Great Britain, though by the end of its first year of existence it had developed a pop/rock hybrid tied to its unusual instrumentation: At a time when electric guitars ruled rock, Traffic emphasized Winwood’s organ and the reed instruments played by Chris Wood, especially flute. Continue reading “Traffic – Discography (1967 – 2005)”