Author Archive: Leon

Green Day – Father of All Motherfuckers (2020) {WEB, CD-Quality + Hi-Res}

Green Day - Father of All Motherfuckers (2020) {WEB, CD-Quality + Hi-Res}

Green Day – Father of All Motherfuckers (2020) {WEB, CD-Quality + Hi-Res}
WEB Download | CD-Quality / FLAC Tracks / 16bit / 44.1kHz | Hi-Res / FLAC Tracks / 24bit / 44.1kHz
Total Size: 190 MB (CD-Quality) + 325 MB (Hi-Res) | 3% RAR Recovery
Label: Reprise | Genre: Pop Rock

Father of All Motherfuckers (also known by the censored form Father of All…) is the thirteenth studio album by American rock band Green Day, released on February 7, 2020 through Reprise Records.Read More

Billie Holiday – Body And Soul (1957) {1995, MFSL Remastered CD-Quality + Hi-Res Vinyl Rip}

Billie Holiday - Body And Soul (1957) {1995, MFSL Remastered CD-Quality + Hi-Res Vinyl Rip}

Billie Holiday – Body And Soul (1957) {1995, MFSL Remastered CD-Quality + Hi-Res Vinyl Rip}
Vinyl Rip | Hi-Res / FLAC Tracks / 24bit / 96kHz | CD-Quality / FLAC Tracks / 16bit / 44.1kHz
Full Scans Included
Total Size: 440 MB (Hi-Res) + 130 MB (CD-Quality) | 3% RAR Recovery
Label: Mobile Fidelity Sound Lab | US | Cat#: MFSL 1-247 | Genre: Vocal Jazz
Half-Speed Mastered

This session comes from close to the end of the line (1959) in the erstwhile swinging company of Barney Kessel on guitar, Ben Webster on tenor, and naysayers will be quick to point out that Lady Day wasn’t in peak form here. But Billie Holiday with some of the platinum chipped off the pipes is still way better than a buncha finger-snappin’ wannabes anyday.Read More

Ry Cooder – Jazz (1978) {1984, MFSL Remastered, CD-Quality + Hi-Res Vinyl Rip}

Ry Cooder - Jazz (1978) {1984, MFSL Remastered, CD-Quality + Hi-Res Vinyl Rip}

Ry Cooder – Jazz (1978) {1984, MFSL Remastered, CD-Quality + Hi-Res Vinyl Rip}
Vinyl Rip | Hi-Res / FLAC Tracks / 24bit / 96kHz | CD-Quality / FLAC Tracks / 16bit / 44.1kHz
Full Scans Included
Total Size: 792 MB (Hi-Res) + 218 MB (CD-Quality) | 3% RAR Recovery
Label: Mobile Fidelity Sound Lab | Pressed in Japan | Cat#: MFSL 1-085 | Genre: Jazz, Blues
Half-Speed Mastered

Beginning with his self-titled debut in 1970, Ry Cooder’s records seemed to be as much history lesson as they were entertainment. Not because Cooder was trying to club you over the head with this stuff; he simply gravitated to great songs, no matter what the era or genre. Released in 1978, Jazz seems to be his first conscious attempt at a concept album, in the historical sense. Here he pays homage to some of the early tunes and masters of jazz, ranging from the late 1800s through the “coon songs” of the early part of the next century, to the ragtime and “Spanish” music of Jelly Roll Morton, and the sophistication of cornetist Bix Beiderbecke.Read More

Poco – Legend (1978) {1979, MFSL Remastered, CD-Quality + Hi-Res Vinyl Rip}

Poco - Legend (1978) {1979, MFSL Remastered, CD-Quality + Hi-Res Vinyl Rip}

Poco – Legend (1978) {1979, MFSL Remastered, CD-Quality + Hi-Res Vinyl Rip}
Vinyl Rip | Hi-Res / FLAC Tracks / 24bit / 96kHz | CD-Quality / FLAC Tracks / 16bit / 44.1kHz
Full Scans Included
Total Size: 820 MB (Hi-Res) + 231 MB (CD-Quality) | 3% RAR Recovery
Label: Mobile Fidelity Sound Lab | Pressed in Japan | Cat#: MFSL 1-020 | Genre: Country Rock
Half-Speed Mastered

Poco’s biggest-selling album of all time also presented the biggest personnel change at one time for the then-decade-old group, whose lineup had hardly been a model of stability up to that time. Co-founding drummer/singer George Grantham and longtime bassist/singer Timothy B. Schmit were both gone, the latter off to the Eagles. Listening to parts of this album, one gets the sense that, with the arrival of Charlie Harrison (bass, harmony vocals) and Steve Chapman (drums) in the group, Poco was deliberately adopting a change in sound similar to what the Eagles went through when Joe Walsh joined, into much harder rocking territory, at least part of the time.Read More

Queen – The Game (1980) {1995, MFSL Remastered, CD-Quality + Hi-Res Vinyl Rip}

Queen - The Game (1980) {1995, MFSL Remastered, CD-Quality + Hi-Res Vinyl Rip}

Queen – The Game (1980) {1995, MFSL Remastered, CD-Quality + Hi-Res Vinyl Rip}
Vinyl Rip | Hi-Res / FLAC Tracks / 24bit / 96kHz | CD-Quality / FLAC Tracks / 16bit / 44.1kHz
Full Scans Included
Total Size: 783 MB (Hi-Res) + 230 MB (CD-Quality) | 3% RAR Recovery
Label: Mobile Fidelity Sound Lab | USA | Cat#: MFSL 1-211 | Genre: Classic Rock
Half-Speed Mastered

Queen had long been one of the biggest bands in the world by 1980’s The Game, but this album was the first time they made a glossy, unabashed pop album, one that was designed to sound exactly like its time. They might be posed in leather jackets on the cover, but they hardly sound tough or menacing — they rarely rock, at least not in the gonzo fashion that’s long been their trademark.Read More

Spandau Ballet – True (1983) {1984, MFSL Remastered, CD-Quality + Hi-Res Vinyl Rip}

Spandau Ballet - True (1983) {1984, MFSL Remastered, CD-Quality + Hi-Res Vinyl Rip}

Spandau Ballet – True (1983) {1984, MFSL Remastered, CD-Quality + Hi-Res Vinyl Rip}
Vinyl Rip | Hi-Res / FLAC Tracks / 24bit / 96kHz | CD-Quality / FLAC Tracks / 16bit / 44.1kHz
Full Scans Included
Total Size: 766 MB (Hi-Res) + 215 MB (CD-Quality) | 3% RAR Recovery
Label: Mobile Fidelity Sound Lab | Pressed in Japan | Cat#: MFSL 1-152 | Genre: New Wave, Pop
Half-Speed Mastered

By 1983, with the new romantic movement they’d sprung from a rapidly fading memory, the members of Spandau Ballet showed they had no intention of traveling the same path. Always ambitious, the British quintet really got down to business: Gone were the kilts, frilly shirts, and makeup — as well as the sometimes chilly electronics of their first two albums. Instead, after recording at Compass Point Studios in the sun-soaked Bahamas, the group turned up in smartly tailored suits, with a sleek and mainstream sound to match.Read More

Blondie – Parallel Lines (1978) {1981, MFSL Remastered, CD-Quality + Hi-Res Vinyl Rip}

Blondie - Parallel Lines (1978) {1981, MFSL Remastered, CD-Quality + Hi-Res Vinyl Rip}

Blondie – Parallel Lines (1978) {1981, MFSL Remastered, CD-Quality + Hi-Res Vinyl Rip}
Vinyl Rip | Hi-Res / FLAC Tracks / 24bit / 96kHz | CD-Quality / FLAC Tracks / 16bit / 44.1kHz
Full Scans Included
Total Size: 924 MB (Hi-Res) + 279 MB (CD-Quality) | 3% RAR Recovery
Label: Mobile Fidelity Sound Lab | Pressed in Japan | Cat#: MFSL 1-050 | Genre: New Wave, Pop Rock
Half-Speed Mastered

Blondie turned to British pop producer Mike Chapman for their third album, on which they abandoned any pretensions to new wave legitimacy (just in time, given the decline of the new wave) and emerged as a pure pop band. But it wasn’t just Chapman that made Parallel Lines Blondie’s best album; it was the band’s own songwriting, including Deborah Harry, Chris Stein, and James Destri’s “Picture This,” and Harry and Stein’s “Heart of Glass,” and Harry and new bass player Nigel Harrison’s “One Way or Another,” plus two contributions from nonbandmember Jack Lee, “Will Anything Happen?” and “Hanging on the Telephone.”Read More

Pink Floyd – The Later Years 1987-2019 (2019) {Limited Edition Box, Remixed & Restored Material, 5xCD + 6xBD + 5xDVD + Hi-Res}

Pink Floyd - The Later Years 1987-2019 (2019) {Limited Edition Box, Remixed & Restored Material, 5xCD + 6xBD + 5xDVD + Hi-Res}

Pink Floyd – The Later Years 1987-2019 (2019)
{Limited Edition Box, Remixed & Restored Material, 5xCD + 6xBD + 5xDVD + Hi-Res}

5x EAC Rip | FLAC Image + Cue + Log
6xBlu-ray | MPEG-4 AVC Video | DTS-HD MA (5.1 / 24bit / 48-96kHz) | LPCM (5.1 & 2.0 / 24bit / 48-96kHz)
5x DVD | NTSC 16:9 (720×480) VBR | LPCM (2.0) | Dolby AC3 (5.1) | DTS (5.1)
Hi-Res | FLAC Tracks / 24bit / 48-96kHz | Stereo & Multichannel
Full Scans Included
Total Size: 2 GB (CDs) + 37.3 GB (DVDs) + 199 GB (BDs) + 38.2 GB (Hi-Res) + 5.45 GB (Scans) | 3% RAR Recovery
Label: Pink Floyd Records | EU | Cat#: PFRLY01 | Genre: Progressive Rock

The Later Years 1987-2019, another massive music box set in the style of 2016’s Early Years package. This time around, as the title suggest, the set focuses on the later period when Roger Waters had quit and David Gilmour, Rick Wright and Nick Mason were left to continue on their own to produce studio albums and undertake massive world tours.Read More